01 01 2011 - Happy New Year!

Happy New Year! Ein frohes neues Jahr! Bonne Année! Godt Nyttår! Feliz Año Nuevo! Buon Anno! Gott Nytt År! Onnellista uutta vuotta! Gelukkig nieuwjaar! καλή πρωτοχρονιά! Feliz Ano Novo!

I wish you all a happy, healthy, peaceful and fulfilling new year. Our blog world has grown a lot over the last year, it seems to me, and I'm sure we'll have more new bloggers this year. It's a bit like living in a dolls house museum and art gallery that changes daily! And where many of the artists and visitors and curators become friends, and share support and inspiration. Thank you for sharing last year, and here's to another year of great things!

My new year wishes come with a page from my Australian Nana's step-mother's 1886 scrap album. My Nana did not like her step-mother, but she had kept this album and gave it to us when we were children. We loved looking through it and making pencil rubbings of the embossed pictures - and the back and front covers:


The page I've scanned has two New Year cards by S. Hildesheimer & Co (an English greeting card company), both with very traditional European images of forget-me-nots and a passion flower.

My tiny azure flowerets
Come wishing thee good cheer,
And ask for thy remembrance,
When dawns the glad NEW YEAR.

The New Year bring thee
Health and Happiness

There is also an Australian scene, showing The Lower Light, Sydney (from a Cave on Coast). This card was published by Gibbs, Shallard & Co (a Sydney company, and probably the first local printer of Australian Christmas & New Year cards). I'm sure I should know the name of the native plant depicted on it - but I can't remember it.


(I included an Australian card from this album in my 2009 Christmas post, too - it shows Watson's Bay & Gap, NSW with more native flowers.)

There are six cards in the album which have blank spaces within the design for writing in. I think they were probably sold for friends to exchange remembrances by. The two on this page show a school room (with a poor little dunce wearing donkey's ears!), and a clock tower. One is inscribed "When this you see, remember me, and bear it in your mind, Let the world be as it may, Think of me as you find." (And make of that what you may!) The other says more simply, "With best Love to Bella" (my Nana's step-mother's name was Isabella).



Happy New Year!


(I'm staying with my mother with dial-up internet only, so please forgive me if I'm a bit slow at leaving comments on your blog posts, or responding to yours.)

Dolls Houses for the War Effort

I've been having fun looking at mentions of dolls houses in old Australian newspapers. I've noticed that quite a few dolls houses were raffled during WWII, to raise money to support the troops and prisoners of war. In Tasmania alone, the Tasmanian newspaper The Mercury reported on over 12 dolls houses donated for raffles. Some were made especially for the raffle, some were old childhood or family dolls houses. The Mercury was also particularly good at showing photos of the dolls houses, and I thought you might be interested to see them.



This dolls house was made by the employees of Nettlefold's Bodyworks, Hobart, in their spare time. Mr Bernard Walker (an architect who was involved in the development of the Cadbury Estate in the 1920s) designed the dolls house, and Miss L. M. (Maud) Poynter (a potter and painter) and Miss E. (Spring) Reid made the furniture and fittings. It was described as a very modern dolls house, "modelled on the lines of a modern home, and fitted throughout with snappy miniature furniture."

The lounge, bedrooms, bathroom, kitchen, and dining-room are all completely furnished down to the tiniest detail. Real carpets are laid down and the rooms are fitted with electric light. A special feature is a roof garden, complete with swing seat and a large sun umbrella. Special pottery equipment and dolls were made by Miss Poynter. The house is painted in cream and has a brown roof.

The house was donated to the Red Cross Prisoner-of-War Fund in January 1942, and drawn in March. The Mercury published the amount raised in 8 weekly instalments, totalling over £120. Here's the winner, Margaret Neave of Battery Point, Hobart, with the house, showing just how big it is:


(Nettlefold's had another dolls house on display two years later, in 1944, when they posted the following public notice in The Mercury:

Would the boy who took Toy Motor-Car from the Doll's House at Nettlefold's Showroom return same to save further trouble.)

Two months later, in May 1942, another dolls house, fully furnished and with running hot and cold water, was donated in aid of the Air Training Corps equipment fund. This raffle also realised £100; the winner was Miss Diana Rex, c/o Mr. G. Rex, Morrison St., Hobart. Sadly, there are no photos of this house with its running water. Although the maker is not named, F. X. de Bavay was responsible for placing the announcement of the winner in The Mercury; he is named as the maker of another dolls house in 1945, so perhaps he made this one too.

Then in October 1942, members of the Apex Club of Hobart designed and built the "Dolls' Dream House", which they donated to the Red Cross "Young Bill" prisoners of war appeal.


This house measured 4' 6" by 2' by 2' 6". It had a sun roof and a garage, and the furnishings included tiny carpets, bedsteads, blankets, pillows and pictures. Most of the furnishings were made and donated by Peter Eldershaw, then a patient at Wingfield House for crippled children (he later became principal archivist, State Archives of Tasmania). A Mrs Basil Crisp donated a Parisian teaset to the house in the second week of the raffle.

The dolls house was exhibited in Hobart, Launceston, Burnie and Devonport, and regularly reported on in The Mercury. The manufacturers of the materials used to make the dolls house took advantage of the massive publicity to advertise their products. Here, we are informed that "The Feltex floor covering for the "Dream House" was donated by Felt and Textiles of Australia Ltd."


Another version of this ad informs us that

"MASONITE, "the wonder Board with a Thousand Uses," was used in the construction of the Dolls' Dream House.
This Advertisement is inserted by the manufacturers, THE COLONIAL SUGAR REFINING CO. LTD. (Building Materials Division), to assist in the war effort."

(Who would have thought masonite was made by the CSR sugar company?)

and a third tells us that

"The painting of the Dolls' Dream House was carried out entirely in "Dulux."
This advertisement is inserted by the makers, British Australian Lead Manufacturers Pty. Ltd., to assist the war effort."

All three companies had further information at the bottom of the advertisement about how they were contributing to the war effort:



A dinghy was raffled at the same time as this dolls house - between them, they raised £516. The winner of the dolls house, drawn at an Apex Ball on December 19th 1942, was Elsa Young of 35 Tennyson Street, East Malvern, Victoria. Did she take her dolls house home to Victoria, I wonder?

In May 1944, two Hobart children made a dolls house for the Red Cross. They called it Austerity House, because it was made from "boxes and "bits and pieces" at the cost of 1/."


The children were Brian Kemp, aged 8, and Ann Kemp, aged 10; their father, LAC Wilfred Kemp, was in the Royal Australian Air Force. Brian had already made models of a man-o'-war and a hospital ship, which he had donated to the Prisoners of War shop. Ann was "an accomplished knitter, making her own jumpers and cardigans, and now knitting her first pair of gloves." She made "vases and pot plants [for the dolls house] from coloured bottle tops, and match boxes and cotton reels were used in the construction of the furniture."

This dolls house was won by Betty Groombridge, of Lower Longley.

Catherine Macleod of Richmond was one of the people who donated her childhood dolls house in aid of the war effort - it was "most attractively refurnished by Mrs J. Eldershaw and her son, Peter" (who furnished the Apex dolls house, above) before being raffled for the Red Cross in May 1944.

Another old dolls house had been donated to the Battery Point Red Cross at the end of 1943. This wasn't just a childhood dolls house - it was nearly 100 years old!

Ouch! They are leaning on an antique, 3-winged Georgian dolls house to write the raffle tickets!!

The Mercury gave the history of this dolls house (I've added to it with a bit of online research). It was sent from England to Mr William Knight in Van Diemen's Land, for his baby daughter, Emily Lang Knight, who was born in 1850. She grew up and married Henry Thomas Maning in 1876, and gave the dolls house to her daughter, Frances Maning, born 1878, to play with. Frances Maning became Mrs Cecil Baldwin, and donated the house to the Red Cross in 1943. The Mercury reported that

It ... is in an excellent state of preservation. Only a comparatively small amount of renovation was necessary, and this was undertaken by Miss Poynter, who is well known in the world of art, and is a keen worker for the Red Cross.
Most of the furniture is the original, and a feature is a fascinating little writing desk complete with candlesticks. The remainder is more than 50 years old, and is in perfect order.

(Miss Poynter had also furnished the Nettlefolds' dolls house raffled in early 1942.)

What an amazing piece of Tasmanian history. It would be one of the oldest dolls houses in Australia, if it still exists. Strangely, this raffle was to be drawn after only one week - I wonder how much it made, compared with the raffles that went on for weeks with huge publicity. The winner was J.S. Ramsay of Launceston. I'm going to try tracing this house!

"Housing problem solved - for this little lady at any rate! She was purchasing a ticket in the doll's house raffle in connection with the Allies' Day Appeal yesterday."

The Allies' Day Appeal was held in July 1944, and this dolls house was raffled on the Free French Stall. The reports don't give any information about who made or donated the dolls house, and it's hard to see the details in this photo. It seems to be a fairly traditional two-storey house with a simple pitched roof. Lorna Ahearne of Mt. Nelson won this house (so perhaps this little girl's housing problems weren't solved!)

Finally, in February 1945, F.X. de Bavay, master brewer and general manager of the Cascade Brewery, made a dolls house which he called the Victory Doll's House. He donated this house to the Tasmanian Society for the Care of Crippled Children and thc Tasmanian Sanatorium, so it wasn't strictly speaking in aid of the war effort - but the name certainly referred to the war! The winner of the Victory Doll's House was Miss Sallie Hall, of 10 Tasma Street, Launceston.

Does anybody recognise the Nettlefolds' house, the Dolls' Dream house, or the Georgian house? They are all fairly distinctive - if they have survived, they would be quite easy to recognise, I think. I'd love to know where they are!

Wallpaper, old and new-old

After finishing the inside of the DH/D, I turned my attention to my Battlement House. This house is the abode of an antiquarian's daughter (and possibly the antiquarian, when he is home from his explorations).

To start with, I placed the furniture I've been collecting for it, in the room which will be the antiquarian's study, along with the carpet, pieces of printed out wallpaper, and some antiquities from the antiquarian's collections.


(The wallpaper is a 1918 design by C. F. A. Voysey, which I've reproduced from an illustration in an old Past Times pocket diary.)

Then, I decided that I would remove the electric light switches. They're very large, and date from about the 1920s, so if I ever use the lights in this house, I'll get it rewired.


Underneath the switch by the fireplace is a fragment of earlier wallpaper. It looks like green and grey diamonds on a buff background.


So, now - do I try to remove the paint from the walls and see if there are more fragments? I'm not sure how I would get the paint off - I suspect scraping would just bring up the top, printed layer of the paper with the paint, and leave, if anything, just fibres from the buff coloured paper itself. I think this paper is the same date as the lights - it matches the colour of the lampshade in this room - so it's probably not the original wallpaper. It's still old, and I'll try to protect it somehow so that if someone removes the wallpaper I put in, this fragile bit of paper doesn't come off with it.

The Battlement House has arrived - now, where do I put it?

Today my newest dolls house arrived. It is huge - 3 feet wide and 3 1/2 feet tall! Each room is 17 1/2 inches wide, 17 1/2 inches tall, and 15 1/2 inches deep. So really this is 1/6th scale. I thought about where to put it before I bid on it, but now I am not sure.
It's an interesting mixture of styles, from the battlement on the roof, to the very ornate fireplaces in the two rooms on the right. This is the upper room, perhaps a living room or bedroom?


This is the lower right room, where the fireplace decoration includes sphynxes, mermaids and cupids, along with weeping women. Possibly either a dining room or living room?


I have never seen anything like these fireplaces, particularly this one - if anyone recognises them, or knows more about them, I would love to know! They are really the reason I bought this house.

The other two rooms, on the left, are very plain - the upper room has only a lampshade:


while the kitchen has a shelf running along the back wall:


I am not sure when this house was made. I suspect that the electric lights and wiring were added at some point - it is early, but the wiring seems clumsy. The style of the house and fireplaces suggests to me the very early 20th century, or possibly late 19th century (ca 1890-1915?). I did some research in digitised Australian newspapers, and found a story, printed in the Melbourne paper The Argus in 1924, about a man who in 1914:

"made a 2-story doll's house, 5ft. 4in. in height, lit by electricity, with "all modern conveniences," and set in a miniature landscape garden."

10 years later the original owner presented this dolls house to the children's ward of a hospital, hence the story in the paper.

So it is possible that my crenellated dolls house was made around this time, complete with electricity. I will try to discover when the light switches were made, which may also provide some clues.

It seems that large scale dolls houses were quite common at this period. Here is a photograph of another large dolls house, where the inhabitants can be seen sitting on the verandah:


They are a baby doll, a kewpie, and two teddy bears. Houses such as these clearly provided a home for the dolls (and bears) which little girls played with. I think my Leadlight House is probably also in this scale; like the house in this photograph, the woodwork is fairly rough, but it has very decorative features to delight a little girl.

I don't yet know who will live in my house, or how I will furnish and decorate it. I don't have a lot of furniture in this scale, so I'll see what looks good, and think about who might live in a house with battlements, sphynxes, mermaids and cupids!