Showing posts with label dolls house for a dolls house. Show all posts
Showing posts with label dolls house for a dolls house. Show all posts

Monday, September 13, 2010

The oldest dolls house for a dolls house? (Updated)

I've just ordered Halina Pasierbska's book Doll's House Furniture. Google books has a preview, including this photo, of the nursery in Ann Sharp's baby house:


Ann Sharp's house dates from 1695, and is the oldest surviving English baby house. Could this be the oldest surviving dolls house for a dolls house?

Update: Christine and Beatrice asked on facebook about the size of this tiny dolls' house. Flora Gill Jacobs, in A History of Dolls' Houses, gives the height of the whole house: 5' 10" (so 70", or about 1.78m). The house has four storeys, including an attic - I think that this room would be about 18 1/3" high (or 46.8 cm). (The attic and basement have less height than the two main floors, so this room is probably a bit more than a quarter of the total height.) As you can see, this dolls house is almost half the height of the room, which would make it about 9" high. I've been trying to work out the scale. I think the rooms being represented here (in Ann Sharp's house and the dolls' house dolls' house) are a bit over 12 1/2 feet high. So I think the scale of the little house is about 1/44th. (Corrections welcomed!)

Flora Gill Jacobs quotes a Mrs Willoughby Hodgson, who in 1917 wrote an article about Ann Sharp's baby house for The Connoisseur . The dolls' house is, Mrs Hodgson says, made of and furnished with cardboard (though Halina Pasierbska says it's paper, and thinks Ann Sharp probably made it herself).
The tiny prints which adorn its walls are believed to represent Bishopthorpe [residence of the Archbishop of York], with the church in the grounds, and the furniture includes a grandfather clock, flap tables, footstools, a slung looking-glass, dressing tables, kitchen stove and dresser, and many other articles.

Saturday, April 10, 2010

Dolly's House is now Amanda's!

Those of you who read my post on Molly Fox's dolls house collection, and the comments I received, will have seen that I was contacted by the current owner of one of the houses Mrs Fox owned, Dolly's House.


In an amazing case of serendipity, Amanda found my blog the day I posted about Molly Fox. She has very generously agreed to let me show her photos of Dolly's House here; all the descriptions are also hers.

Amanda said, "I believe Mrs Fox sold Dolly's House at auction in London in the 70s and it remained with this owner for over 30 years. The next owner had it for around 5 years and with ill health could not enjoy it and sold it on to me."


These photos show the roof which is not shown in the book. It does not come off which makes it difficult to get to the wires, and the roof space is a waste, it is so large, if built nowadays it would probably have had another room up there, or 2 or 3.

The chimney pots have spent shells from the war.


Here is Dolly's House front and back photos when I purchased it.





The little hatch is still in place in working order in the kitchen.

It had been wallpapered with modern paper which I have taken off. (I thought I may have come across some writing on the walls as I was stripping it but I didn't.) I have only completed one room downstairs left and have half finished downstairs right. It is so difficult to locate vintage wallpaper to match the original colours of the room. The book only showed black and white, so it will probably look very bright to you now. I have filled it with Dol-toi furniture that I got on the internet new in boxes, and little Grecon dolls. I thought the little cat looked similar to the one in the book, and the Christmas tree is vintage German with glass.



I make dollhouse miniatures using beads and crystal, but Dolly's House is a challenge being 16th scale. All the dollhouse items here in the UK are 12th, and I am having to make all the extras myself which takes a long time. I just finished the living room mat which took 3 months. I first used the Appletons crewel wool which gave a hard woolly finish but it keeps snapping, so I have gone back to dmc which gives a smoother finish, not as nice as Appletons. I have taken photos at a distance of normal sized photos of the family and some of my sheep (I take on orphan Herdwick sheep every year) and Matilda my miniature donkey, and cut them down to put in frames on the walls - the original little nails are still there.

It has been very difficult to source wallpaper. I ended up with J Hermes and I have used Aunt Gracie reproduced fabric for curtains. I still have the passage and the bedroom to repaper which I find very difficult to do, as the ink runs on the old Hermes wallpaper if you get the outside wet with paste, and then it is very difficult to trim even with a sharp artist knife, around the light switches etc.
I had to replace a couple of window panes as they were split and yellow, but other than that just the wallpaper as someone had replaced it - underneath was painted walls to match the doors and pelmet. The little doors and handles are all original, and the painted picture rails. The floors also have the original paint to match, I just had to disinfect the paint but it is still in very good condition. It has vinyl on the floor; I took the first layer off to reveal another layer. I have left this underneath, looks like paint to match the doors and fireplaces and pelmets. Such a lovely little house, I wanted to clean it up and make it mine, but was not sure how far to go: the brick paper on the sides looks like it has something under, and the roof paint looks too new, but the book does not show any of this so I will never know.



The original bathroom suite is still in place , with moving taps, and a moving toilet chain. The bathroom and kitchen have original paper on the walls with green and white squares which I have left alone - I will cross stitch some carpets to match. The kitchen also has a little stove that lights up.



Originally it had a large battery running the lights, and this was replaced by a rather complicated electrics board which hides behind the laundry room with a false wall, enabling me to plug it into the mains. One of the things I dread is when the light bulbs need changing in case a wire has come loose, they appear to run inside the walls, and I cannot see how or if the roof comes off to trace them when they go off. The little downstairs fireplaces lift out and have little bulbs underneath which shine through red and orange plastic to give it the red glow. I would love to hang some of my chandeliers in Dolly's House but the electrics are tricky, sometimes they can go off if a wire comes out of the circuit board at the back, so many wires, and it is just a matter of pushing on a few until they come back on.


The turntable must have been lost some years ago. It still has the little plate underneath where it must have fitted. I have Dolly's House on a table with wheels so I can move it about to fiddle with it.

The little dresser in the kitchen has drawers which are made of matchboxes reading 1922:



I have the book by Jean Latham which came with the house. I really just like to look at the pictures. I have tried to replicate as much of the original things I can find, it amazes me how much is still available in such good condition.
I have often tried to search the internet for information on Molly Fox, but did not come up with anything, I was browsing looking for Grecon dolls and I hit the side bar of options and I clicked on latest which I have never done before and your blog came up!

I have one more dollhouse which was made a few years ago with a garden. Living in the Lakes, I collect the Beatrix Potter bronze figures and thought I would make a garden to put them in. They are not to scale but it kept me busy until Dolly's House came along. I would love to know more about it who it was made for. When I bought Dolly's House I was looking for a similar one I had in my childhood but could not find one. I could not remember the make, but would recognise one if I'd seen it, but Dolly's House appealed because it opened front and back, I have it lit up every night and spend many hours furnishing it.


Thank you Amanda, for all the photos and such detailed descriptions! I love how Amanda has decorated the house so far, and made it her own while respecting the original features. It's wonderful to know that Dolly's House is in such good hands, and is being cherished and enjoyed - please keep us up to date as you decorate more rooms!

Friday, March 26, 2010

The Rosetta Stone Award

Recently I was presented with the Rosetta Stone Award by My Realitty's dolls. I am very honoured - especially as the award was just created by CM and her dolls, so I am the very first recipient (and it's quite exciting to know someone who created a blog award!).


The Rosetta Stone Award, I am informed, is a serious award for scholarship on the history of dollhouses. The dolls said,

This is the first "Rosetta Stone Award". It is given to a dollhouse blogger who has contributed greatly to the information of dollhouse history.

As we all know dollhouses were originally the hobby of rich women or tools to teach girl children to keep house.

Today women all over the world are interested in them. Note the number of bloggers and that Dollhouse blogs are a world unto themselves. Though these houses started as toys and may have led a perilous life, once they are in the harbor of the collector they have a story to tell. This award is to acknowledge the sleuthing it takes to discover that story.

Furthermore this award is issued to only one person, must be kept for 6 months then passed on to another worthy recipient. There are many worthy of this award... ... and this year we are bestowing it on... Rebecca of Rebecca's Collections for her serious and valuable work on English dollhouses.

Thank you very much, CM and your dolls! I appreciate it very much - especially as I completely agree that there are many worthy of the award, and I know that the research I do follows on from the work that others have done.

As some of you know, I love family history research. Researching my own family can be particularly moving, but I also love the thrill of the hunt, when one clue leads on to another - or when you get a bit stuck, and try to think of other ways to approach the problem. I started researching dolls house firms when an article on dolls houses made or sold by the firm C. E. Turnbull was published in the first issue of the Dolls Houses Past and Present online magazine. The author stated that not much was known about the firm, not even an address.

Well, that was a challenge I couldn't resist - and quite an easy one to solve, as this London-based firm existed from the late 19th to the early 20th century, a time for which the UK censuses are available to search online.

So that got me started - and now Florine of My Vintage Dollhouses and other treasures and I are researching the history of dolls houses made by Keystone of Boston, Massachusetts!

I thought about how to celebrate this award - and I decided to make a scene rather like the room where I do my research. I've borrowed the downstairs living room of the Bodensee and filled it with books (borrowed from many other houses too), on bookcases squeezed in everywhere they can fit, with dolls houses on shelves, trolleys, the floor ... and Linda Kimber is modelling me doing research (or possibly browsing ebay ;-) ) on the computer!

I put this scene together, and photographed it - and then thought, but where are the boxes? Because my study has lots of boxes in it - boxes of dolls house furniture I've just received, boxes of stored dolls house furniture, the original boxes for dolls houses and sets of furniture .... So I added some boxes!

It looks like my sister's cats have come to visit, as mine are both black. But they do like to sit with me when I'm working on the computer :-)

Thanks again, CM and your dolls!

Monday, May 4, 2009

Dora Kuhn folk-art style German furniture (and more Erna Meyer dolls)

Here is some sweet folk-art style furniture, which I believe was made by Dora Kuhn, a southern Bavarian firm, possibly in the 1960s. I have furnished a German 1960s roombox with them.


The roombox has a floor, two side walls and a back wall; this one can be put together and taken apart by means of little plastic tabs (as on the end of the left wall here). (The blue you can see above and below the roombox are the shelves of the trolley it's standing on.)

The furniture is not marked, except with numbers stamped on the bottom of some pieces. However, I have seen identical dolls' house furniture on ebay (German, and often also the US), described as made by Dora Kuhn.


The accessories and tiny dolls house are all made in Germany too, though I do not know the maker - they were ebay finds. The dolls are by Erna Meyer, who has produced dolls dressed in traditional German costume as well as up-to-the-minute fashion, historical fashions, as fairytale figures, etc.
Two of the dolls seem to be dressed in regional costumes; I've moved them to the front in this photo:


Perhaps Oese or another reader might recognise them?

Friday, March 13, 2009

Homemade Australian - Californian Bungalow style house, late 1920s

Here is another of my homemade Australian dolls houses. Like the Federation bungalow, this one also comes from Sydney, probably from the Centennial Park area. I loved the front of the house when I saw it on ebay:

I love the pylon-shaped window frames and door frame - wider at the bottom, narrower at the top. This shaping of exterior (and interior) timbers is typical of the very common architectural style known in Australia as 'Californian Bungalow', which was imported from California in 1916. Other features of this style are diamond-paned leadlight casement windows, and porthole windows in the front door (in real houses, usually filled with a stained glass design of an Australian native bird or animal).


This house is definitely not a bungalow, and it doesn't show as many features of this style as the Californian-bungalow style house in Dolls' Houses in Australia 1870-1950. But I think that the maker of this house definitely had this style in mind - and the white picket fence is so typical of Australian towns and suburbs.

The exterior has been repainted - perhaps fairly recently. The original colouring can be seen in places - creamy yellow on the walls, with grey trim (very similar to the Federation bungalow in reverse).

The interior is much plainer. When I bought it, it had wall and floor coverings dating to the 1950s:

The wallpaper in particular was falling off the walls. I have removed it, although I've left most of the flooring under the new floor papers. I discovered remnants of the original decoration. All rooms had heavily embossed cream wallpaper; the largest fragment is above the light switches:


Upstairs there was a flocked crimson floor covering:

and an olivey grey green patterned material downstairs:


Cream, deep pink and olive were fashionable colours for decorating Californian bungalows in the 1920s.

I couldn't hope to find enough vintage embossed wallpaper; I have one beautiful sample sheet, but you can't scan or photocopy embossing! Instead, I have used vintage sample papers of wallpaper - French this time, some of it thick and washable. So the house is much more decorative than it would originally have been.

Here is the living room.
It's 1929, and the man of the house is a well-to-do business man. He and his wife have recently been on a trip through Great Britain and the Continent, and have brought back souvenir books - of Inverness, Burns Country, the Krkonose Mountains, and Stuttgart. They are now entertaining two visitors from the Continent (I'm not sure exactly where), and the maid has served tea and coffee.


The furniture here is German, apart from the beautiful fireplace, which I think is English.


Upstairs is the nursery, where a governess and a nurse are supervising a tea party of four small children, as well as a toddler in a playpen and a baby in a cot:


The playpen and stroller are German, the sideboard is homemade Australian (and I think the table and chairs are too). The rest of the furniture at the back of the room, which you can see a bit better in this photo, is American - Wisconsin Toy Company nursery furniture from the 1930s.


I have bought vintage fabric to make curtains for each room. I'm keeping the curtains which came with the house, but not using them; they are transparent white nylon, and I think they date from the 1950s decoration of the house.
There is a light in each room; whether this was original (1920s) or installed later, I don't know. The wiring runs to the roof, where there was no doubt a battery - I haven't tried to get the lighting going again (yet).

In the main bedroom, there are two single beds - at the back, one in English oak (which comes with a dresser and wardrobe)

and at the front, a Wisconsin Toy Company 1930s "Moderne Bed Room Set". I bought this through a live auction on US ebay - it was not cheap! But the tapering lines of the furniture reflect the lines of the window and door frames on the front of the house.


In this room, the eldest daughter of the house and a friend are looking at the lengths of material they have just bought, and considering which of the designs in the Weldon Ladies Journal they will have them made up into:

Downstairs is the kitchen, where you can see the light switches and also the dagger-shaped curtain rod finials, which I think are most likely original (they are in all the rooms):



Cook's nephew has dropped in. He is unemployed, and tramping around with his cockatoo looking for work. Cook has fried up some bacon, eggs and tomatoes to give him a good feed before sending him off again, and is joining him for a cup of tea before she gets back to work. She is lucky to have a Triang kitchen range, though I hope she won't mind a modern new gas stove if I ever have a Triang house that needs a stove. (There's no frying pan, so she must have taken it out to the scullery, which, with the bathroom, is perhaps in a lean-to on the back of the house - though that is not typical of Californian bungalows).


Cook has a very large cookbook which she inherited from her mother. It contains recipes for sandwiches, salads, chafing dishes and cocktails!
The table and chairs here came with the sideboard now in the nursery - they are all homemade Australian. The cupboard on the right is now a cleaning cupboard (or will be when I get some brooms and dusters and so on). It has had a past life as a shaving cupboard and a pen and ink holder; I like its design.

As I've said, and as the calendars in the kitchen and living room show, I've set this house in 1929. I'm not sure of the actual date of construction, but there are some clues. Californian bungalows proliferated in the 1920s, and one part of this house has a trade name marked on it:


This is the underside of the roof, which can be lifted off. Presdwood is a trade name of masonite hardboard. It seems that it was invented in 1924, and was mass produced starting from 1929 - in America. I suspect that it would have been used to make the roof of a dolls' house in Australia a bit later than this, so perhaps the house really dates from the 1930s.

Monday, February 16, 2009

Victorian Cupboard House "Hartsridge" ca 1900

This is the other house my grandmother bought for me, after our visit to her in 1972/73. From the outside, it looks just like a cupboard -

Inside, it is a dolls' house with four rooms and a staircase in the middle. The top (viewer's) left is the drawing room, then the landing, and the bedroom on the right. Downstairs is the dining room on the left, the hall and staircase, and the kitchen on the right.

This house, amazingly, has a full provenance. My grandmother bought it from Miss Nancy Bettesworth, who bought it from Mrs Bernard Fox, who bought it from Mrs Searle, who bought it from Miss Avice Hoare, sister of the original owners, Eleanor and Penelope Hoare. Miss Bettesworth wrote to Miss Hoare about the dolls house, and received a great deal of information from her.

The cupboard is mid-Victorian, perhaps ca 1860s. Avice Hoare wrote, on Nov 8th, 1969:

"It was converted into a doll's house by my Father, who married in 1895 + lived at Hartsridge, Godstone, for my sisters Eleanor + Penelope, born in 1897 + 98 - I can't say when it was converted but I should think it was begun fairly soon. .... my father would no doubt have collected from home or bought an old cupboard to convert."

Eleanor, Penelope and Avice Hoare's father was Henry Gerard 'Philip' Hoare, a banker. Miniatures of Philip and of his wife Margaret hang in the dining room of the house:


and photos of the two little girls hang in the drawing room - here's one of them:


You can hardly see them for the frills!

The house has original floor and wall coverings, and the fireplaces are original too. One is in the drawing room:


Avice Hoare wrote: "I should think the carpets ... were home-made from our Grandfather's waistcoats". On the wall above the window is the other photograph of the two little girls - taken outside their house, Hartsridge in Godstone, Surrey, in England.
There is no original furniture, apart from the fireplaces - "I am afraid that unlimited playing rather disposed of the furniture."

My grandmother began furnishing this house with Victorian or Edwardian pieces appropriate to its age. Some of the pieces were rather large in scale, so I haven't kept all of them in the house - instead, I've furnished it as a family house, with dolls house furniture from my own and my mother's childhood.
In the drawing room, the lounge suite was made from matchboxes by my mother ca 1930s; the doll with her back to the camera was bought for me and my sister by my father (in France, I believe) in 1966, as was the bookcase and wooden books. I haven't identified the maker of the bookcase (and the grandfather clock, rocking chair & kitchen table, also in this house), but when I bought Zillner & Cooper's 'Antique and Collectible Dollhouses', I recognised our dolls on page 263 - they were made by Erna Meyer. I've bought a lot Erna Meyer dolls since, and several inhabit, or visit, this house, which is owned by the elderly lady in black in this room.


Here's an earlier photo, when more of the family were visiting, and before I had framed and hung the Hartsridge photo:

On the landing, some boys are playing with toy trucks. The rug and the curtain both came with the house, though I don't know whether they are original, or made by Mrs Fox. I have just added the exquisite embroideries, believed to be early or mid-19th century, which I bought on UK ebay - the stitches are so tiny, I don't know how the embroiderer managed without going blind. The tiny photographs by the doorway are original, I believe - I think they may have come from a tiny concertina postcard charm. They show images of Hampton Court Palace, Richmond, etc, which no doubt the Hoare children knew.


Next door, in the bedroom, two little girls are playing with dolls. The one with her back to the camera is the second doll saved from our childhood - she suffered a terrible accident to her face (I have no memory of it, but it looks as if someone bit it off), so prefers to keep it private. (She also has no hair, a frequent problem with vintage Erna Meyer dolls.) The curtain is original - when I first received this house, I planned to replace it, as it's torn, but I'm so glad I never got round to it. My grandmother bought the beautiful brass beds - they even have springs! The lovely washstand is a new acquisition, from http://www.ktminiatures.com/index.html.


Below the bedroom is the kitchen, where two dolls are preparing food. The flooring is original; the clock, stuck on the wall, and the little check curtain were in the house when my grandmother bought it. She put the kitchen range in - it should really have a wooden surround, and is missing its little tap for the hot water. (Strange that the dolls have not felt the need to buy a newer stove to replace it or provide an alternative for cooking.)
The green Pit-a-Pat dresser was my mother's, and then ours - I'm sure we had the second door somewhere. The light blue Twigg dresser and sink (which you can't really see - it's under the window) - were ours.


The photo of the hall shows the magificent flight of stairs, made by Philip Hoare (his daughter Avice explained "Hunt was the estate carpenter + a fine cabinet maker who worked with my grandparents + no doubt taught my father + his brothers - they were all carpenters"). The carpets here are original, too.

Finally, in the dining room, several men are having drinks. The fireplace was also made by Philip Hoare, and the carpet is original - perhaps another of Grandfather's waistcoats. Someone tried to wash the little runner, and the embroidery thread ran. On each side of the fireplace are the portraits of Philip and Margaret Hoare. As it's summer, the fire is not lit, and a vase of peacock feathers stands in front of the grate. The feathers are real - tiny feathers shed by peacocks at a caravan park I stayed at in Elliott, in the Northern Territory!

This house is pictured in Jean Latham's beautiful book 'Dolls' Houses - a personal choice' (1969), which my grandmother sent me when she bought the house. The picture below (on page 68 in the book; there are more on pages 78-79) shows the bedroom and kitchen as furnished by Mrs Bernard Fox, who owned it at the time. You can see the same clock in the kitchen, and curtains in bedroom and kitchen.


In her letter to Miss Bettesworth, Avice Hoare mentioned that "when I come to think of it, there are quite a number of doll's houses in the family, so I have made you a "pedigree" of them." One was, in 1969, shown on "Garden Open" days at South Park Farm, Bletchingley. I am hoping to trace the whereabouts of the other dolls' houses made by this family - I'd love to see how they compare with the one I now own - and it's another chance to use my family history research skills.